Pound for pound, Apple TV is probably the best streamer in the game – The Guardian (‘Sugar’ season two review)
Apple TV’s “Sugar” is a contemporary, unique take on one of the most popular and significant genres in literary, motion picture and television history: the private detective story.
Season two of “Sugar” premiered Friday, June 19, 2026 on Apple TV.
Apple TV’s “Sugar” is a contemporary, unique take on one of the most popular and significant genres in literary, motion picture and television history: the private detective story. Academy Award nominee Colin Farrell stars as John Sugar, an American private investigator on the heels of the mysterious disappearance of Olivia Siegel, the beloved granddaughter of legendary Hollywood producer Jonathan Siegel. As Sugar tries to determine what happened to Olivia, he will also unearth Siegel family secrets; some very recent, others long-buried.
Each episode of this PI drama’s second season is a half-hour haze suffused with melancholy and distressed urban beauty. It’s the kind of show that could only exist on Apple TV.
Getting a TV show made isn’t easy. OK, so you’ve got an interesting idea and some good scripts – but a network or streaming platform will have many further questions. How much will it cost to make, which age/demographic will enjoy it, can it be distilled in a grabby one-line summary, could it recoup investment by running to multiple seasons? Nobody’s going to take a punt on your kooky pet project and risk losing money.
At least that’s the theory, but Apple TV seems happy to commission shows having ticked none of the above boxes. Pound for pound – that is, ignoring the overwhelming volume of Netflix shows – it’s probably the best streamer in the game, having gambled and won on Severance, Ted Lasso, Slow Horses, The Studio, For All Mankind, and Widow’s Bay. But it also has a stable of oddball charmers that work in a moseying sort of way – Maximum Pleasure Guaranteed and Margo’s Got Money Troubles being two recent ones – and a slew of baffling misfires like Government Cheese and Hello Tomorrow! that have popped up, done a thing nobody understood and disappeared again. You don’t know what you’ll get with a new Apple show, but it’s likely to be something nobody else would green-light, and they’d often be right…
John Sugar not being human is just another way in which he’s a disconnected observer of a city where everyone’s disconnected from each other, but it does give the show another layer to its audiovisual collage: as well as the film excerpts, we can now cut to soothing shots of cerulean galaxies, while the narration has progressed from gnomic to cosmic. “Everything comes to an end,” muses Farrell, as nothing of note happens. “Sooner than you think, sometimes. From the side suns on Andromeda to the terramorphs on Paloma, everything dies.” Bogie never got lines like that.
We are lost in another luxurious Apple labyrinth, but not unhappily so. Every moment of Sugar is divine to look at, while the concept of the protagonist’s main superpowers being weary kindness and naive sweetness, despite his alien biology affording him actual superpowers, continues to bewilder and amuse. Each episode is a half-hour haze suffused with Sugar’s sad, sleepy vibe. This show could only be on Apple – it’s another world in there.
MacDailyNews Take: Apple TV is the best streamer. Anyone who thinks they watch the best streaming TV without an Apple TV subscription are kidding themselves.
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