Apple’s state-of-the-art iPhone 17 Pro and flagship iPhone 17 Pro Max offer a striking new design that delivers a dramatic leap in performance. Both models feature A19 Pro, the most powerful and efficient chip for iPhone yet, enabling the advanced camera systems, next-level mobile gaming, and Apple Intelligence. Built with an Apple-designed vapor chamber that is laser-welded into a strong, light, and thermally conductive aluminum unibody, iPhone 17 Pro and iPhone 17 Pro Max deliver Apple’s best-ever performance and an enormous leap in battery life.
Three 48MP Fusion cameras — Main, Ultra Wide, and an all-new Telephoto — offer the equivalent of eight lenses, including the longest optical-quality zoom ever on iPhone at 8x, and the innovative 18MP Center Stage front camera takes selfies to the next level. With new industry-first video features built for pro filmmakers and content creators, including ProRes RAW, Apple Log 2, and genlock, iPhone integrates even more seamlessly into the largest and smallest of productions.
Lux:
The entire camera array continues to impress every year in working in unison: this year, more than ever, my shots were very well color and color temperature matched and zooming was more smooth between lenses than I’d seen.
It’s wild that they pull this off with 3 different camera sensors and lenses. It’s essentially invisible to the average user, and that’s a real feat. No other company does this as well: pick up an Android phone and go through their copy of the iOS Camera zoom wheel to see for yourself sometime.
8× Feature’s a Feat
The overall experience of shooting a lens this long should not be this good. I’ve not seen it mentioned in reviews, but the matter of keeping a 200mm lens somehow steady and not an exercise in tremendous frustration is astonishing. Apple is using both its very best hardware stabilization on this camera and software stabilization, as seen in features like Action Mode.
You will notice this while using the camera at this zoom level: the image will at times appear to warp in areas of your viewfinder, or lag behind your movement a little bit. The only way to truly communicate how impressive this is is to grab a 200mm lens and hand-hold it: you’ll find that it magnifies the small movements of your hand so much that it is really hard to frame a shot unless you brace it.
And then there’s the images from this new, optimized center-crop zoom… To say I’ve been impressed with the output would be an understatement.
For years, I was a bit annoyed at the shininess and jewel-like qualities of the Pro, and to be entirely honest, I do now miss it a little bit. This is a beast in both performance and appearance, and it feels almost a little unlike Apple. I think, however, that the direction is correct and significant.
Our phones are such a central part of our lives now that it feels significant be able to have a choice for a product that prioritizes the true ‘pro’ — much like MacBook Pro did in a fantastic way with the thicker, bulkier M1 series.
This, then, might be the first ‘workhorse SLR’ of the iPhone family, if the regular iPhone is a simple Kodak Brownie. In that, some of the simplicity that delighted in the first iPhone may have been lost — but the acknowledgement that complexity is not the enemy is a significant and good step. As a camera, it is first and foremost a tool of creative expression: gaining permission to become more fine-tuned for that purpose makes it truly powerful.
MacDailyNews Take: Tons more in the full article with copious and excellent photo examples – highly recommended – here.
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